Lessons from the Pakistan cable operators’ strike
By B. Muralidhar Reddy in
Nation wide agitations in
Though it fizzled out mid-way, thanks to the enormous pressure exerted on the operators by an embarrassed government, it would go down as a unique event in the annals of
Despite the risk of being accused of making sweeping generalisations, the strike has demolished several myths about Indo-Pak relations. Perhaps like no single event before it has brought out the difference between governments and people. People might make a government but the two are not synonymous. Hostilities between governments, with all the tom-toming on all the available forums, do not necessarily poison minds of people to the extent imagined.
What else could be the explanation for the clamour for Indian channels in
The cable operator`s strike is all the more significant in the context of the developments in the last two to three years in the field of electronic media. The cable industry in
Prior to the advent of private channels catering to Pakistanis, the television industry in the country was completely dominated by the Indian channels, news and entertainment. In fact
Some of the political analysts in
Post-Kargil the Indian news and entertainment channels became part of the regular feature of the
On the entertainment front a storm was brewing. People across
It was against this backdrop that December 13 Parliament attack took place and Indo-Pak ties hit a three-decade low. The tensions triggered by amassing of troops and the daily dose of allegations and counter allegations provided the much-needed opportunity to Islamabad to impose a ban first on news and then a blanket one on all Indian channels.
The period also coincided with the birth of private channels, up-linking from other countries, exclusively aimed at Pakistani audiences. These included the ARY and
There are two reasons why these channels are not up-linked from
Second all these channels are aiming at audiences beyond
These were some of the dynamics at work when the cable operators chose to raise a banner of revolt and do some thing equivalent of blasphemy. Credit for giving courage to the cablewallahs goes entirely to the Track-II optimists on both sides of the border. The atmosphere created by them provided the cable operators much needed space to fill in their demands.
To begin with the Cable Operators Association of Pakistan was sheepish in articulating its demand. "Why is the government banning popular entertainment channels?" screamed a huge front-page advertisement put out by the Association. Though it did not identify the channels, the reference was obviously to the Indian television channels that beam popular serials and Bollywood films.
In an appeal to the Pakistan President, Pervez Musharraf and Prime Minister, Mir Zafarullah Khan Jamali the cable operators made a passionate appeal for help to `save the cable industry` that provided employment to over two lakh people across the country.
There is little doubt that the cable industry was adversely affected on account of the ban on Indian channels. Not only did the number of subscribers come down but also some entrepreneurs made millions by selling video copies of the popular soap operas on the Indian channels. Piracy in
To circumvent the ban cable operators had began beaming both old and latest Bollywood films on the local channels. The Information Ministry recently came down heavily on this practice and threatened serious action. The issue figured at the recent meeting between the delegation of Indian parliamentarians and Gen. Musharraf. The
In a bid to mollify the cable operators and muster support of general public against allowing telecast of Indian channels the Pakistan Electronic Media Regulatory Authority (PEMRA) announced on Thursday that a ban on Indian TV channels was imposed to encourage flourishing of the local electronic media industry.
A PEMRA spokesman said action against the Indian channels was taken to improve the level of
But alas the worst hit on account of the strike were the private TV channels. At least some of them contested the government version that the ban on Indian channels was meant to protect their interests and wondered as to why in such a case the government was not allowing up-linking facilities.
The episode proves that culture or entertainment has no boundaries and artificial boundaries erected by establishments will crumble if people`s patience is tested too much. There is definitely a lesson in the
B Muralidhar Reddy is the